A work in progress

“I didn’t know that by sitting in the kitchen I’d be hunted down, arrested, convicted, on the same charges as him. And you’d be too.”

Joint Enterprise is a controversial common law doctrine where an individual can be jointly convicted of the crime of another, if it can be proven that they foresaw the crime taking place. 

Increasingly challenged, it is part of a history of collective punishment that systematically targets racialised and working class people, that can be traced from colonialism through to today. But how does it work? And how can it be defeated?

Written by one of Britain’s most exciting poets, Jay Bernard (Ted Hughes Award, Sunday Times Young Writer of the Year) and directed by Jo Tyabji (Bleak House, Audible), Joint presents a powerful, multi-media account of Joint Enterprise that weaves together personal experience, social history and real life cases. 

Commissioned and produced by Fuel, and funded by Arts Council England.

For details about FuelFest and the other works in progress, visit FuelFest at the Barbican

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A work in progress

Perrier Comedy and Fringe First winner Will Adamsdale presents a new autobiographical show about escape, creativity and technology.

Once upon a time a washed up London writer and technophobe went off-grid in a confused lockdown relocation… only to find that the grass ain’t always greener. 

The blank page stretched out like the endless fields. His only hope? His greatest enemy – technology!

A story of bots, writer’s block and getting away from it all.

Produced by Fuel and Will Adamsdale.

For details about FuelFest and the other works in progress, visit FuelFest at the Barbican

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A work in progress

A first look at a brand-new satire by Racheal Ofori (Portrait, So Many Reasons, FLIP!) that explores the cost of beauty – from scalp-burning perms to injectables, from skinny tea to fat jabs. 

Yvonne is losing her mind. She walks into Boots looking for a shampoo and has a breakdown, paralysed by the abundance of oppressing plastic bottles. 

Mina has always kept a trim figure. Her mother’s ever present set of scales in their family home used to do the trick. Since her mother’s death, she’s finding it harder to keep the weight off. So she’s ordered some fat jabs online.

“I want to be wafer thin. So thin that at some point I practically disappear. Isn’t that the point? The literal erasure of women?”

Co-commissioned by Fuel and Women in Theatre Lab and produced by Fuel.

For details about FuelFest and the other works in progress, visit FuelFest at the Barbican

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A work in progress

Award-winning artist Melanie Wilson collaborates with an AI machine learning tool to explore the conflicted terrain of human and animal relationships through sound.

This poetic, intricate listening experience weaves language, multi-part vocal composition, field recording and electronic sound together to map the fragmentary experience of the biodiversity crisis with kaleidoscopic force.

Created using with endangered animal voices from the UK and beyond, the score was developed through a five-year research process into machine learning for composition, supported by PRiSM at RNCM.

Oracle Song seeks to take the audience from a place of climate anxiety and grief into a shared landscape of listening and connection.

Commissioned and produced by Fuel and funded by Arts Council England, Sound and Music, The RNCM Centre for Practice & Research in Science & Music (PRiSM), Hosking Houses Trust.

For details about FuelFest and the other works in progress, visit FuelFest at the Barbican

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This brand-new programme, produced by Fuel in partnership with Little Angel Theatre, and funded by Arts Council England, was initiated in direct response to the lack of diversity in the puppetry sector. With puppetry becoming ever more popular, with hugely successful shows from War Horse to Spirited Away and My Neighbour Totoro and many more besides, this vital programme offers training for Global Majority performers and is fast creating an exciting new creative community of puppeteers. Alongside this, Saturday masterclasses for young people have been successfully running in partnership with drama school Mountview. 

In a process led by Fred Davis running in November 2024, a group of 10 performers will enjoy workshops from Aya Nakamura, Rachael Nanyonjo, Toby Olié, Haruka Kuroda, Nick Barnes, Mervyn Millar, Tobi Poster-Su, and Little Angel’s Samantha Lane.  

Fred Davis, who is leading the programme, said: “It’s wonderful watching 10 people approach situations and problem solve them together through puppetry. We’re only a little way into the workshop and the changes people have gone through are vast. Everyone is sharing revelations they’ve had in the room or titbits they’ve picked up on the performing road, and it’s beautiful to see. One of my favourite things about the arts in general, but the puppetry world in particular, is seeing people supporting and championing each other. I can’t wait to see the growth of this group by the end of the course.” 

Kate McGrath, Artistic Director & CEO at Fuel, said: “Fred is an exceptional talent and it’s great to see him offering his expertise to others and holding a space for learning together, with the help of a brilliant roster of visiting workshop leaders. Learning is a core value for Fuel and we hope this Intensive will be of great benefit to the participants, the artists teaching on it, and ultimately the wider industry. In times of constrained resources, it’s vital to find ways to continue to invest in development for artists, especially where we can make a positive change in terms equity and inclusion in our sector. I can’t wait to see what they all do next with these new skills.” 

Participants in the course are:

Shaofan Wilson 

Shaofan Wilson (She/Her) grew up in Leicestershire and trained at the Oxford School of Drama. As part of her graduate showcase season, she performed in Mark Ravenhill’s ‘Pool No Water’ (The Royal Court), and ‘Wonder Winterland’ by Sami Ibrahim (Soho Theatre). Her stage credits include: ‘The Hatchling’ (Trigger Stuff 2024); ’My Neighbour Totoro’ (Royal Shakespeare Company 2023); ‘The PappyShow Cabaret’ and ‘GIRLS’ (The PappyShow); ‘My Neighbour Totoro’ (Royal Shakespeare Company 2022); ‘The Welkin’, ‘All Of Us’, and ‘The Ocean at the End of the Lane’ (National Theatre); ‘The Secret Love Life of Ophelia’ (Greenwich Theatre); ‘Oh for F*ck’s Sake (I’m in Love with You)’ (Nottingham Playhouse).  

Ashton Owen 

Ashton is an Actor, Puppeteer and Writer, who trained at East 15 Acting School. Some recent theatre credits include; Twirlywoos/Chef in Twirlywoos Live (MEI Theatrical LTD) Giant in Smartest Giant in Town (Little Angel Theatre and Fierylight Co-Production) Writer and Performer in debut play Outskirts (Sheringham Little Theatre), Dr Watson in Sherlock Holmes Online Experience (Les Enfants Terribles), Mr Bump, Mr Happy, Mr Tickle and Mr Small (Selleadoor Worldwide), Plant Protector in Siyanda Protector of Plants (Theatre-Rites), Atir in Zeraffa Giraffa (Little Angel Theatre and Omnibus Theatre Co- Production). Ashton is currently Polka Theatre Catapult Artist where he is creating a play about the life of Pablo Fanque; the first black circus owner in the Victorian Era.  

Feeya Asmal 

Feeya Asmal is a South African theatre-maker, writer, and actor. Feeya received her bachelor’s degree in Dramatic Arts (Hons) from the University of the Witwatersrand in 2015. She worked as a Stage manager and director in South Africa’s fringe theatre scene between 2012 and 2017. She then took a break from theatre to move to Kobe Japan, where she taught English for several years, before moving to London to complete her master’s degree in Creative Performance Practice at London South Bank University under the supervision of Georgina Sowerby in 2023. Feeya is interested in multidisciplinary theatre-making, involving puppetry and other visual elements, and her focus is centred on women’s issues in society, but particularly within South Asian diasporic communities. 

Mei Alozie 

Mei’s career in theatre began at Cambridge University where her performances in award winning new writing (Great Mother Iya Ayaba by Mojola Akinyemi and Heroes by Chakira Alin) would lead to an appraisal of her ‘standout performance’ of Heroes lead, Jonno, by The Stage. She balanced this with more classical roles, (Benedick in Much Ado About Nothing, Tybalt in Romeo and Juliet in a US Tour), and ensemble devised projects. Her first film credit was Sir Ridley Scott’s ‘Behold’ in which she contributed original poetry material. Her interest in puppetry stems from her passion for afro-futurist stories, which she hopes to explore further with the skills learnt from this course. 

Annakanako Mohri   

Annakanako is a Japanese artist, who’s credits: The Lion King, Message in A Bottle/Zoonation, Spirited Away. 

Priya Uddin 

Priya Uddin trained with Chichester festival youth Theatre and National Youth Theatre. She most recently performed in The House party at Chichester Festival Theatre in a coproduction with Headlong and Frantic Assembly. Other credits include The Jungle Book, A Midsummer Nights Dream, The Wind In The willows and Pinocchio (Chichester Festival Theatre).

Aki Nakagawa 

Aki Nakagawa trained at Royal Central School of Speech and Drama (CDT BA Acting) and UPS Academy in Tokyo, Japan. Theatre credits include: My Neighbour Totoro (Royal Shakespeare Company), Lord of the Flies (Leeds Playhouse), Garden of Words (Park Theatre), Tattooer (Charring Cross Theatre x Umeda Arts Theatre). TV credit include: Boarders (BBC3). 

Rianna Kellman 

Rianna is a story teller who uses different mediums to portray a world of emotions and narratives. She is an Actor, DJ and facilitator, who uses everything she knows to aid others in there story telling. Other theatre credits include: ‘Shut Up I’m Dreaming’ (The National Theatre). TV Credits include: Malice 2025.

Brian Maitland 

Brian is an Indonesian/Scottish performer and graduate of The Royal Conservatoire of Scotland. His recent credits include Calamity Jane (Titchfield Festival Theatre), Nazrul (Surbandhan), Beauty and The Beast (Anton Benson Productions) and Beetlejuice Beetlejuice (Warner Brothers). His puppetry inspiration originates from Lazytown, Spitting Image and Avenue Q. With his skills in Musical Theatre, he hopes to be able to combine them with puppetry to make a real impact on the industry. 

Eric Mok 

Eric Mok is an actor and writer who trained at the Royal Birmingham Conservatoire. His acting work in theatre includes London Tide for the National Theatre, King Lear for the RSC; Sky Comedy Rep Scratch Night and Park Bench Plays at Birmingham Rep. TV includes Call the Midwife and Hollyoaks. Film includes Meet the Lees and Walls. As a writer, his credits include British Born Chinese which had a rehearsed reading and his short films Hamster and The Last Slice which have been selected/nominated at several film festivals. He is currently developing a new play with support from the Birmingham Rep. 

The course is led by Fred Davis.  

Fred Davis is also associate artist with Gyre and Gimble. 

His theatre credits include: Life of Pi (Schoenfeld Theatre); Life of Pi (A.R.T); Life of Pi [Olivier award, Best supporting actor] (Wyndham’s Theatre); Ocean at the end of the Lane (National Theatre); Dido and Aeneas (Bodø Concert Hall, Norway); The Life of Pi (The Sheffield Crucible Theatre); Peter Pan and Running Wild (Regents Park Open Air Theatre); The Hartlepool Monkey (UK Tour); Running Wild (UK Tour); The Tempest (Petersfield Shakespeare Festival Open Air); Peter Pan, A Christmas Carol, Running Wild, The Hundred and One DalmaCans, The Witches, The Lion, The Witch and The Wardrobe, Noah, The Firework Makers Daughter and The Snow Queen (Chichester Festival Youth Theatre); Experiment scratch performance (Nuffield Theatre Southampton); Pass it on Renew Project and Rattigan’s Nijinsky (Chichester Festival Theatre) and Much Ado About Nothing (Shakespeare Schools Festival). 

His TV credits include: Don’t Hug Me I’m Scared, Jurassic World: Dominion, The Dark Crystal: Age of Resistance, Gyre & Gimble Puppet making tutorial, The Hartlepool Monkey and Running Wild. 

Other credits include: Chichester Festival Theatre, Butterfly Lion by Michael Morpurgo, Self Help, Scratch event for new playwrights, Animalian and Scratch event for new playwrights. 

Download this information as a PDF here: Global-Majority-Puppetry-Intensive-Announcement.

Visit https://fueltheatre.com/get-involved/ for more information about getting involved with Fuel. You can also follow us on socials @FuelTheatre and sign up to our newsletter below to hear about projects first.

“What will the world be like ten years from now?”

In 2014, Gareth Fry set off in an ice-cream van turned recording studio and travelled to school playgrounds and public spaces in Corby and Kettering, inviting people to imagine the world ten years into the future, through the eyes of ten year olds.

Their answers were woven together, creating a series of unique soundscapes called Ten Years From Now. 

Ten years on, the project comes full circle, and Fuel is releasing this audio version to mark its 20th birthday – this time with a fresh remix. 

Ten Years From Then invites you to join us in reflecting on those hopes and dreams from ten years ago, and how the world has twisted, turned, and transformed.

The project was piloted in summer 2014 as part of Fuel’s 10th Birthday Season. The audio installation was launched in August at Corby Cube as part of the Made in Corby programme. Two schools were involved in the project: Rockingham Primary (Corby) and Greenfields Primary (Kettering).

Listen now for free on Fuel Digital, Spotify and Apple Podcasts. For Fuel Digital, log into your account or create a Fuel Digital account, then click ‘Book’ and check out as you would for a ticket to a show). 

With thanks to the original Ten Years From Now team:

Designer Lizzie Watt
Associate Sound Designer Pete Malkin
Production Manager Rachel Bowen
Participation Manager Tom Espiner